Most of the work created by Tal Rosner came across as extremely experimental, looking at split screens, shapes, movement and sound. In the lecture, he mentioned a lot about working with orchestras and being involved in live shows, producing pieces of graphic movement according to the feel of the music. This lecture came smack bang right in the middle of our Rhythm brief at the time, which i thought was lucky. Whilst i was experimenting with my pieces, although i did have a little influence from Tal Rosners work, i didnt want to start coming up with stuff that looked exactly like what he had done. For example, the 'concerto for two pianos' piece showed footage from a train mirrored to create expressive shapes in time to the music, it was that kind of symmetrical design that i wanted to steer clear from. I was more influenced by the way he designed the splitting of the screens - especially in both the 'Skins' title sequences, using the typography as the main way of splitting up the screen, i thought it was a clever idea. I also liked it when he mentioned that each of the title sequences at the end section changed depending on which character the programme was focusing on that particular week.