Damian's lecture was short but sweet, his work focuses on moving image combined with animation. I was drawn to the showreels that he showed us, the style of the mark making he used to design his characters. The animations weren't digitally produced, they were hand crafted using inks and pencils and brushes etc. It is that kind of scratchy, organic style that i like.

From the very start of the lecture, Damian produced a comfortable and humorous atmosphere by talking about his friends and family showing us all photos that mean something to him, i think from that moment on everybody connected with him in that room. We learnt that he is a tutor of illustrating and moving image at Kingston, so he came across as being comfortable talking to students about his work.

To begin with, Damian introduced us to his style of research that he does, the phrase 'snooping around' cropped up, basically noticing things or keeping your eyes peeled for anything that catches your eye, that catches your imagination! He takes photographs and stores them, he collects little things here and there and he also doodles - especially when he's talking on the phone!

He is drawn to peoples hair and posture, which i can also relate to. The hair mainly because of the different textures and styles, and the postures because it is boring just to draw someone straight up and down with no little quirks to make it more interesting. The more bends and kinks in the posture, the better. Especially when he animates these postures, they look very natural even though some parts are emphasised.

Another technique Damian used in his lecture, was to show photos of his past and current students. I found this a little strange, but then when i think about it, he was talking about postures of people etc which all ties in together.

One part of his lecture that i wanted to know more about was his commercial works. He didnt want to talk about them though, all he said was that he did the commercial stuff to fuel his personal stuff. And it wasn't his best work, so why show it? i just wanted to see if i recognised anything that he's done.

One piece of work that he was extremely proud of (and he should be) was 'The love books', this was a huge book in a gallery which projected Damian's work onto it. He had gone through 27 sketchbooks containing around 5,000 doodles to contribute to this project! This piece of work i found was a lot to take in, it is a good idea, i'll give him that, but whenever i tried to focus on something that was on the screen, it disappeared in a blink of an eye which started to annoy me when it was happening over and over again with different doodles replacing the existing ones.

He then went on to talk about the project he is working on at the moment, taking characters he has created based on people he knows, and taking them into a 3D life form. He doesn't really like the generic or smoothness look of 3D which is why the characters he is working on at the moment, he has brought 2D into them which makes it a bit more interesting. He is doing what he feels comfortable with.

One of the last pieces of work he showed us was part of his research which was a photograph of two Korean people, a man and a woman sitting at a table on a higher level - in a building opposite to where Gascoigne was standing. His story was humorous as he told us that he had stood there for half an hour watching their life - making up a love story between them, it was their 1st date and they were both looking very uncomfortable. This was one of my favourite snapshots from his research, due to the two postures of the two figures, and the humorous story Damian Gascoigne used to close his lecture.

Overall the two things i was drawn to when looking at his work, was the style of research he used - taking photos of random things that looked like something else, and the style of drawing he uses - the ink drawn characters using sticks to create rougher lines - i have actually just finished using ink and sticks in my own brief i'm working on at the moment, and the inspiration for it did come from being in that lecture.

Lecture on Friday 27th Feb at 1:30pm.

Tracy Kendall works mainly with surface design ideas. She works with silk screen, wallpaper, screen printing (Which is prominant in her work) and furniture etc.
Some of the influences she mentioned in her talk, were random conversations she sometimes hears, the fashion industry, old photographs, the random marks you see on pavements and the colours and shapes that occur when you stack books and magazines on top of eachother. All these influences really did appeal to me as i am very much into pattern and surface design.
The first designs she showed us, were wall designs for her own kitchen. She used just 1 set of cutlery, and screen printed the images to produce this large scale, in your face, knife fork and spoon. I really like this technique, and its such a simple idea. She explained to us all that she felt that at that time, the current wallpaper designs that she was attracted to in the industry were too expensive and so thought she'd take up a bit of D.I.Y!
It isn't just wallpaper she works with though, Tracy showed us some examples of her different types of works including forks on lampshades, a feather off the street blown up and screen printed onto a wall, she would go out and pick 100 stems of grass and find one that she was most drawn to the composition of the stem, blow it up and paste it onto her bedroom wall - the way i look at it, it is a very organic and simple way to make a room look interesting and also personal.
When tracy was explaining her techniques for art galleries, she touched on the fact that she likes people to touch her work, to get involved with them. She had different pieces of wallpaper hanging down from the ceiling with 104 christmas trees hanging amoungst them. The trees helped to guide the people around, they were immediately hit by the smell. Tracy wanted to build a fun atmosphere for her audience. It's something different, and memorable.
One fact that Tracy mentioned was that she used black and white a lot in her for, mainly for the purpose to attract male architects etc - the reason being, they're the ones with the money! I like how she explained parts of the industry to us, helping us to understand what she actually went through to get where she is today.

Text is one design Tracy uses to represent pattern. In this particular pattern (Left) i am drawn to the hand written design as it looks fresh and original, she has type wallpaper in her bathroom compared to the usual aqua or green tiles in a bathroom. It is just things like that which makes me like the kind of designer she is, i'd like to buy her house! In this particular picture i have provided, the text is actually stitched onto the wallpaper. The content is a Shakespeare text which is Mid Summer Nights Dream, stitched in her sisters handwriting due to the fact that when Tracy was growing up she was in awe of her sisters handwriting. The reason why Tracy had the piece stitched was because when you glance at a piece of work you think you know what you are seeing, but then when you get up close to the work and touch it, you get the surprise of a rough material poking through some wallpaper. It is a surprise, another fun approach from Kendalls work.

Another technique that Kendall uses is to cover a surface with a different material, such as sequins, buttons and even jigsaw pieces. She used sequins mainly because of the influence of fashion, and Betsy Johnson. She hand stitches sequins onto wallpaper for that sparkle effect (Sharovsky crystals influence). One piece of work she showed us on a slide was a whole wall covered in black sequins - it's simple yet so effective, i could imagine the atmosphere it would prodece when you walked into the room, the idea is so lovely. She doesn't just limit the sequin design just to the wall, she has sewn sequins to dresses inspired by fashion, and chairs inspired by interios design. she had sewn 9,000 sequins and buttons to a chair which took her 1 week to complete, and another chair covered in jigsaw pieces - this idea i really liked due to the random colours and shapes being brought together to live on a piece of furniture. It is all mass produced by hand - keeping that organic feel to them.
Most of Kendalls public work relies on good egitorials in books and magazines. she uses it to validate her work for clients, it is a chance to show the positive that the same piece of work, works in different ways - in any way the client wants really.

Another piece of work which really caught my eye was a piece of lace that Tracy had found at a French flee market which she only paid 3 Euro's for. She had bought it, not designed the lace and yet, she used it in a piece of work, a design for the wall and it earnt her £40,000 - £50,000. This is a massive profit, and quite unbelievable. At first, i was thinking it was an easy cheat to go about designing things in that way, and in a way i still do think that, but at the end of the day why not? If at the end result she has produced a nice design journeyed from the original(Right), why not sell her developed designs and make moeny from it?!

Overall, Tracy Kendall is one of my favourite lectures so far, mainly due to her surface patterns and simplistic ideas which she works to her favour. I liked how she would talk about her progress in the industry, and how she approached the industry giving us tips and how certain techniques would work in our favour. She was very down to earth, and a very experienced woman who i have a lot of respect for. Her work is inspiring and one day i would like to try and use some of her work as inspiration for the production of my own work.

I have been looking at this company's website (www.concretepost.co.uk) and was quite impressed with the range of facilities and different styles the company looks into. For example:Ford Ka Viral

Grant Gilbert was approached and was asked to come up with a brand new design for the launch of a new channel within the channel 4 series. More 4. A company in London called 'Spin' produced the More 4 logo, so Grant Gilbert already had that as a base to work with. I like how within the design you can see that he has experimented and played around with the original shapes given to him in the logo. For the animation development he worked with the movement of the logo, there is a flat feel to the design but he designed it all using 3D.

Most of the work created by Tal Rosner came across as extremely experimental, looking at split screens, shapes, movement and sound. In the lecture, he mentioned a lot about working with orchestras and being involved in live shows, producing pieces of graphic movement according to the feel of the music. This lecture came smack bang right in the middle of our Rhythm brief at the time, which i thought was lucky. Whilst i was experimenting with my pieces, although i did have a little influence from Tal Rosners work, i didnt want to start coming up with stuff that looked exactly like what he had done. For example, the 'concerto for two pianos' piece showed footage from a train mirrored to create expressive shapes in time to the music, it was that kind of symmetrical design that i wanted to steer clear from. I was more influenced by the way he designed the splitting of the screens - especially in both the 'Skins' title sequences, using the typography as the main way of splitting up the screen, i thought it was a clever idea. I also liked it when he mentioned that each of the title sequences at the end section changed depending on which character the programme was focusing on that particular week.

www.gillianblease.co.uk